...One year older

I usually don't link to Robert Christgau, but I'll make an exception for this brilliant piece, in which he chronicles a 30 day journey in search of good live music in New York. It's a hilarious and engaging read. Say what you will about the old grump, but the fact that a man of 65 still holds rock'n'roll so dearly that he is willing to go out on a month's search for the live kick is admirable by any standards. And just so that I've said it, it wasn't on the blogosphere that I discovered Toronto's Tokyo Police Club (TPC), this week's "most played" on my iPod, but through Christgau's monthly Consumer Guide. The old man still has good ears on him.

TPC play wonderful, woozy punk. The drums are assertive yet playful, the bass firmly states the riffs, while the guitars swirl around only occasionally joining in to produce more riffing power. The vocals remind me of Clem Snide, but lyrically they're more non-specific but still apt, even if my fave line so far may not read (as opposed to sound) like poetry: "You, you're so young, I don't care what you've done wrong". The Ep's called A Lesson in Crime. Sells for $9.99 at InSound.

Why, oh why hadn't I heard Rich Halley Trio's Mountains and Plains until just recently. I've got a thing for trios, especially jazz trios, and this is one of the best trio recordings I've heard in a long time, topped only by the two brilliant Adam Lane Trio albums (more on those later). Mountains... was released last year, but I don't know if I can be bothered to fit it into my 2005-list. But in case you're wondering, it may have cracked top 20.

Peace

You bore me to death

This is one shitty list, and it gets a deserved bashing by Woebot. And why, oh why must they feel the need to have Miles Davis' Kind of Blue in every single top-whaterver list they produce? I's mostly the Brits who do this. It's as if they feel the need to atone for something, like "oh, we must recognize Jazz too", and seeing as Miles is (most likely) the best known Jazz artist, they put him in. And because Kind... is his best seller, they choose that one. What an utterly uninspiring choice. It's not even Miles' best album!

If you know me or have read my blog, you'll know that I love Jazz. I'd have plenty of Jazz records in my top-whatever list, and not because I feel guilty or obliged to recognize the genre either. But you wouldn't see Kind... anywhere near the top of that list. It's a nice album. Occasionally beautiful, even. But not that great. Broaden your horizons, please.

F*cking-money-grabbing-p*ssy-ass-advertisers!!!

Jeff Chang quoted Davey D in yesterday's blog:

"According to Black radio programmers they avoided playing rap, because it was affecting their advertising".

And advertisers have always had a hand in hampering the exposure of African-American culture in the American media, from radio to movies and through to television. They've been afraid to alienate certain groups in America, in the early days, racist and biased Southerners for the most part. "No balls, mo' money" must've been their motto. They never learn, though, the f*ckers.

The Crazy Diamond

Syd Barrett passed away this weekend. I've never been a fan, but he's meant a lot to several people I admire, and it's interesting to note that Pink Floyd really became shit only after he left the band, as well as that the only album worth while post-Barrett was by and large a tribute to him. Shine on!

I bet you rock good on the dancefloor

I was wondering if Erase Errata could step it up after two promising records. It seems they can. Their new record Night Life (to be released on July 25 on Kill Rock Stars) has enjoyed heavy rotation on my iPod lately, and right now I can think of few bands that have rocked with as much conviction so far this year. They are incredibly precise, yet maintain just the right amount of bouncy looseness (for lack of a better phrase) and experimental glee. They emphasize instrumental interplay over lead-plus-comp; The guitars switch between chk-chk and melody, the bass between boom-boom and melody, and they do so without creating any mess. This kind of politics-in-instrumentation sets them neatly together with free jazz and post-punk, both of which influences can be heard in Erase's music. Still, they also churn out danceable grooves, as on the cowbell-ridden (!!!) and current fave track "Tax Dollar" (mp3 courtesy of Kill Rock Stars). I've danced to politics before, I can do it again. (Picture copied from their Myspace-site).

No stupid answers, only stupid questions

An acquaintance of mine, who writes for the Norwegian daily Dagbladet is covering this years Quart festival in Kristiansand. Yesterday, she wrote a short commentary after a pre-show press conference with the White/Benson colab the Raconteurs. You see, the Raconteurs had been rumored to have made a music video in Oslo before they headed down south. This had of course alerted the journalists, who were eager to ask the boys whether or not this was true. You see, Norwegians are very patriotic. Any form of flattery thrown our way is wholly swallowed, blown out of proportions in the press, and we can nod and pat ourselves on the back and say "I knew it! We're the best". So, if the Raconteurs had in fact recorded a video in Oslo, that would mean we rule.

Ok, back to the conference, which apparently started with the band confirming the rumors to be true before any of the press corps had been able to ask the question. "No sweat", you'd think, "there are plenty other questions we could ask". But that was the only question the journos had jotted down. The above-mentioned writer seems to be at a loss as to what to ask these visiting artist now, and so may resort to stupidities such as "How do you like Norway" and "What do you think of the Norwegian girls".

I must say, although Dagladet is a tabloid, it is also one of Norway's biggest newspapers and therefore one of Norway's most important conveyor of news about culture. But if the writers really have such difficulties finding good questions to ask bands and artists, we really have to consider whether or not it's worth sending them to cover these events in the first place. A press conference might not be an ideal place for in-depth questions and exchange of ideas about readings of their music, but puh-lease!!!

History Lesson pt.1/...Then we take Berlin

I got my copy of We Jam Econo last week. It is low-key, warm, heartfelt, made econo. Many, many people, fellow musicians, writers, fans, show their respects. But we're mainly being guided by Mike Watt, who comes across as an utterly nice, contemplative guy. I had the luxury of speaking with him for about half an hour back in 2001 when he was visiting Oslo with J. Mascis. Back then he was almost childishly eager to discuss Ibsen, of which topic I could contribute, and Japanese punk rock, of which he did most of the talking. He seems calmer on camera. Maybe it's just that he has D. Boon at the back of his mind throughout the interviews.

The film may be most interesting to those who are already familiar with the Minutemen and their fabulous music. But if it has one thing to offer others as well, it's the story of how this group of people fought the established codes and biases of a counter culture they believed, and hoped, to be without such evils. Plus, the live shows on the bonus disk are amazing, even if the sound could be a whole lot better.

Off to Berlin for a short week. It will be würst and weissbier. Or perhaps coke and ...er coke. It will definitely be fussball. Vive le France.