For me as I'm sure for many others, it makes little sense to set a top 10 in stone. Heck, a top 10 itself doesn't really make all that much sense. By the end of a given year, my fave list usually consists of a few -- most often three or four, sometimes less rarely more -- releases that have engaged, enthralled and moved me profoundly in ways that set them apart from all the other great music I might have heard that particular year. After that, there's a selection from a further pile of terrific albums that float in the zone just below. Picking the remaining releases from that stack to create a top 10 is a rather off the cuff exercise, the results depending on several, seemingly haphazard things such as day form, how recently I've heard a particular recording, and so on and so forth.
In any case, my ballot for the 2017 Jazz Critics Poll can be accessed via this link (more specifically on this page: scroll down or do a page search). But for my personal run down of my favorite jazz albums of the year, I'll instead go with the format I have used in recent years, and separate them into a three categories that makes more sense to me. Happy listening, and Happy Holidays!
MUSIC FOR THE AGES:
- William Parker Quartets: Meditation / Resurrection (AUM Fidelity) [reviewed for Musikkmagasinet/Klassekampen July 3., 2017] -- The New York eminence has achieved similar artistic heights previously, but the juxtaposition of his two celebrated quartets -- one groove focused and bop-tinged, the other more abstract and experimental, with Parker and drummer Hamid Drake's distinctive rhythmic interplay the beating heart of both -- mirrors two sides of Parker's qualities as composer, band leader and musician, providing a rich picture of a remarkable artist in the process. Few if any create avant-jazz this warm, engaging, energetic, burning and soulful as Willim Parker does.
- Angles 9: Disappeared Behind the Sun (Clean Feed) [reviewed for Musikkmagasinet/Klassekampen, Febrary 27., 2017] -- Angles 9 come at you as a boisterous, mini big band, with poignant melodies, similarly captivating rhythms and deceptively unruly music that mines the tension between sorrow and joy, with winning results.
- Harriet Tubman (feat. Wadada Leo Smith): Araminta (Sunnyside Records) [reviewed for Musikkmagasinet/Klassekampen, March 6., 2017] -- Araminta is a onse the most unsettling yet uplifting and powerful collection of music Harriet Tubman have made yet, and one of this year's most gripping listening experiences.
- Trio 3 (Andrew Cyrille, Oliver Lake, Reggie Workman): Visiting Texture (Intakt Records) [reviewed for Musikkmagasinet/Klassekampen, April 10., 2017]
- Jaimie Branch: Fly or Die (International Anthem) [reviewed for Musikkmagasinet/Klassekampen, May 29., 2017]
- Eric Revis: Sing Me Some Cry (Clean Feed) [reviewed for Jazznytt #244]
- AKMEE: Neptun (Nakama Records) [reviewed for Musikkmagasinet/Klassekampen, June 19., 2017]
- Cortex: Avant-Garde Party Music (Clean Feed)[reviewed for Musikkmagasinet/Klassekampen, October 16., 2017]
- Mike Reed, Flesh & Bone (482 Music) [reveiwed for Musikkmagasinet/Klassekampen, August 28., 2017]
- Aki Takase & David Murray: Cherry - Sakura (Intakt Records)
- Matt Mitchell: A Pouting Grimace (Pi Recordings)
- Gard Nilssen Acoustic Unity: Live In Europe (Clean Feed)
- Kate Gentile: Mannequins (Skirl Records) [reviewed for Jazznytt #244]
- Vijay Iyer Sextet: Far From Over (ECM) [reviewed for Musikkmagasinet/Klassekampen, September 18., 2017]
- Nate Wooley: Knknighgh (Minimal Poetry for Aram Saroyan) (Clean Feed) [reviewed for Jazznytt #244]
- Team Hegdal: Vol. 4 (Particular Recordings Collective)
- Alexander Hawkins: Unit[e] (self-released)
- Hegge: Vi är ledsna men du får inte längre vara barn (Particular Recordings)
- Lisa Mezzacappa: avantNOIR (Clean Feed) [reviewed for Musikkmagasinet/Klassekampen, February 20., 2017]
- Matthew Shipp Trio: Piano Song (Thirsty Ear) [reviewed for Musikkmagasinet/Klassekampen, February 6., 2017]
- Pedro Melo Alves' Omniae Ensemble: Omniae Ensemble (Nischo)
- Satoko Fujii Orchestra New York: Fukushima (Libra Records) [reviewed for Musikkmagasinet/Klassekampen, December 18., 2017]
- Large Unit: Fluku (PNL) [reviewed for Musikkmagasinet/Klassekampen, December 18., 2017]
- Craig Taborn: Daylight Ghosts (ECM)
- Liza Mezzacappa: Glorious Ravage (self-released)
- David S. Ware Trio: Live in New York 2010 (AUM Fidelity) [reviewed for Jazznytt #244]
- Satoko Fujii Orchestra Tokyo: Peace (Libra Records)
- Pereservation Hall Jazz Band: So It Is (Legacy)
- Wadada Leo Smith: Najwa (TUM) [reviewed for Jazznytt #245]
- CP Unit: Before the Heat Deadth (Clean Feed)
- Tyshawn Sorey: Versimilitude (Pi Recordings) [reviewed for Musikkmagasinet/Klassekampen, August 21., 2017]
- Rudresh Mahanthappa’s Indo-Pak Coalition: Agrima (self-released) [reviewed for Musikkmagasinet/Klassekampen, November 20., 2017]
- Roswell Rudd-Fay Victor-Lafayette Harris-Ken Filiano: Embrace (RareNoise) [reviewed for Jazznytt #245]
- FCT (Francesco Cusa Trio meets Carlo Atti): From Sun Ra to Donald Trump (Clean Feed)
- Eivind Opsvik Overseas: Overseas V (Loyal Label) [reviewed for Musikkmagasinet/Klassekampen, March 20., 2017)]
- Kirk Knuffke: Cherryco (SteepleChase)
- Atomic: Six Easy Pieces (Odin) [reviewed for Musikkmagasinet/Klassekampen, Febrary 27., 2017]
- Nicole Mitchell and Haki Madhubuti: Liberation Narratives (Black Earth Music)
- JD Allen: Radio Flyer (Savant) [reviewed for Jazznytt #244]
- Goncalo Almeida-Rodrigo Amado-Marco Franco: The Attic (NoBusiness)
- Steve Coleman's Natal Eclipse: Morphogenesis (Pi Recordings)
- Miguel Zenón: Típico (Miel Music)
- Nicole Mitchell: Mandorla Awakening II: Emerging Worlds (FPE Records)
- Max Johnson: In the West (Clean Feed) [reviewed for Jazznytt #244]
- Jonas Sjøvåg, Karl Seglem, Sigurd Hole: West Wind Drift (Shipwreckords)
- Angelica Sanchez Trio: Float the Edge (Clean Feed) [reviewed for Jazznytt #243]
- Harris Eisenstadt Canada Day Quartet: On Parade in Parede (Clean Feed)
- Billy Meier: Introducing... Billy Meier (Just For the Records)
- The Mess (Brandon Lopez, Chris Corsano, Sam Yulsman): Holy Holy (Tombed Vision Records)
- Brandon Seabrook: Die Trommel Fatale (New Atlantis)
- The Necks: Unfold (Ideologic Organ)
- Trespass Trio: The Spirit of Pitesti (Clean Feed)
- John Pål Inderberg Trio: Linjedalsleiken (Ponca Jazz Records)
- Jane Ira Bloom: Wild Lines: Improvising Emily Dickinson (Outline)
- Roligheten: Homegrown (Clean Feed)
- The Microscopic Septet: Been Up So Long it Looks Like Down to Me: The Micros Play the Blues (Cuneiform Records)
- Amor Amok: We Know Not What We Do (Intakt Records)
- Roots Magic: Last Kind Words (Clean Feed)
- Led Bib: Umbrella Weather (RareNoise Records)
- Mind Games: Ephemera Obscura (Slean Feed)
- Tim Berne's Snakeoil, Incidentals (ECM) [reviewed for Musikkmagasinet/Klassekampen, September 18., 2017]
- Wadada Leo Smith: Solo: Reflections and Meditations on Monk (TUM) [reviewed for Jazznytt #245]
- Scheen Jazzorkester & Audun Kleive: Politur Passiarer (Losen)
- Ross Hammond: Follow Your Heart (Prescott Recordings)
- Jeremy Pelt: Make Noise (High Note)
- Julia Ulehla & Aram Bajakian/Dálava: The Book of Transfigurations (Songlines Recordings)
- 1982: Chromola (Hubro)
- Noah Perminger: Meditations on Freedom (self released)
- Ahmad Jamal: Marseille (Jazz Village)
- Friends & Neighbors: What's Wrong (Clean Feed)
- Ben Allison: Layers of the City (Sonic Camera Recordings) [reviewed for Jazznytt #244]
- Jeremy Pelt: Make Noise! (HighNote)
- Dave Holland: Conference of the Birds (ECM)
- Spontaneous Music Ensemble: Karyobin (Emanem)
- Thelonious Monk: Les Liaisons Dangereuses (1960) (Sam Records) [reviewed for Musikkmagasinet/Klassekampen, May 8., 2017)
- Winston Mankunku Ngozi Quartet: Yakhal' Inkomo (Jazzman Holy Grail Series)



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