Monday, November 26, 2007

Talent Alert: Tyshawn Sorey


Tyshawn Sorey Quartet: That/Not (Firehouse 12, cat.no. FH 12-04-02-oo5, 2007)

Tyshawn Sorey is a young (b. 1980) multi-instrumentalist and composer who has been making a name for himself playing with such notable figures as Butch Morris, Dave Douglas, Muhal Richard Abrams, Hamiet Bluiett, and Anthony Braxton, plus as a member of Fieldwork with pianist Vijay Iyer and saxophonist Steve Lehman. I first noticed him drumming on the Sirone Bang Ensemble's Configuration from 2005, and doing a pretty decent job at that.

Sorey has just released his first record as a leader. It is called That/Not and is released by Firhouse 12, a New Haven label which also functions as a live venue. Sorey says about the album:

"This record is very different from the work that I do with other ensembles, (...) I am a drummer who composes music; the function of this album is not a demonstration of my abilities as a drummer, but my interests as an artist. My objective with this music is to question who and why we are, to question the very nature of what it means to perceive something. The music here is our life and soul expressed in sound."

Ambitious fella, but the record is very interesting indeed. It explores the use of space, minimalism and repetition in a way that makes me think of Steve Reich. In between are dynamic bursts of more songlike structures - mostly quiet and sombre, others more forceful - that hints more than it plays to the jazz tradition, much in the same way William Parker's excellent 90's records did. Well done, and I'm looking forward to hear more from mr. Tyshawn Sorey.

The album can be streamed in it's entirety from the label's website (follow the link above), and purchased from Amazon and Downtown Music Gllery among others.

Saturday, November 17, 2007

Friday, November 16, 2007

Duke Ellington - Afro-Eurasian Eclipse

Duke Ellington - "Chinoiserie" from Afro-Eurasian Eclipse (Fantasy, 1971)



Duke Ellington, via Marshall McLuhan:

"(...) the whole world is going oriental, (...) no one will be able to retain his or her identity".

For "oriental" insert "miscegenated", if you will. Judging by the recent discussions concerning indie, it didn't quite work out that way, did it?

Last Friday I sat down to write what I had hoped would be my final thoughts on the subject, but computers being the mischievous things that they are, this one decided to delete the whole thing, and stupid me had made no back up of the piece. Infuriated, as you may expect, I let it be. But I still have a few more thoughts I'd like to jot down - among other things the problem of defining indie or any genre for that matter - and will hopefully do so in the next few days. In the meantime, enjoy the fabulous piece of "oriental" music posted above, and note in particular the kicking tenor solo by Harold Ashby.

Monday, November 05, 2007

Point of Departure


I have to tip my hat to Point of Departure, an excellent online zine which has covered jazz and improvised music in bi-monthly issues since September 2005, though I only discovered it earlier this year. It is run by one Bill Shoemaker, who also contributes reviews and columns. Issue 14 (November, 2007) was just posted, and contains a column by Art Lange on Gunther Schuller, plus reviews of Muhal Richard Abrams and Albert Ayler's Hilversum Sessions. Go read and update your links!
Related Posts Plugin for WordPress, Blogger...